Gahlmaar the Fallen

Probably the most vile villian of the D&D campaign I ran with my college room mate was the fallen ranger, Gahlmaar (version 1 is what the raw pencils look like; version two is the b&w version). He is the ultimate sore loser as he betrayed his friends, his god and everything he believed in simple because he felt disrespected and under utilized. In a pique of anger, he slew the unicorn god, Elasmothera, and violated the sacred grove (now the forsaken Heart of Stone). He took Its horn as his weapon and symbol and wears its skin as his armor. He rules his huntsman with an iron fist. Basically, he is one nasty, indignant SOB.

Re-Learning to Paint in Pastels

Ocean in Purple (pastels on paper 5 1/2 x 8 1/2 in)

Simple Spring (pastels on paper 5 1/2 x 8 1/2 in)

Back in the mid-nineties when I was trying to, essentially, "re-learn" how to paint in pastels I started by making small paintings (5 1/2 x 8 1/2 inches). What do I mean by re-learn? When I was in grade school, I just painted and drew and had fun. I took some lessons and improved. The work was quite good (wish I had some proof of these comments but all those originals are lost). My high school had a commercial art program and I thought I would become a professional artist. Well, that did not happen. I dropped out of the program, graduated high school, went to college and earned a non-art bachelors degree and pretty much did not paint or draw for about 5 years. My art skills atrophied incredibly.

But I missed drawing and painting. So, I began small. Above are some of the first pieces that I tried. Not very good but, as the legend says, they were not The beginning, but they were A beginning.

More old D&D artwork

Beyond the Otyugh I also did a host of other drawings for our game. Unfortunately, only a few of these still exist. Have no idea what happened to the original pen and ink drawings. Above we have the pen and ink drawings, "George and the Dragon", "Goblin" and "Draco" (man, was I awful at naming files).

For me, it is fun to look at these again and think about that time in my life but also look at how my art style has evolved, from technique and media to subject and quality. From high school to early college I was in love with line work (thank you Ronin by Frank Miller). While I never fully embraced "speed lines" I did so love cross-hatch. I still do, though on those rare (but hopefully increasingly) occasions, use cross-hatch as primary shading technique. Just not as much.

I am going to post a few more old pieces and then hopefully get to some new, original work. That is the plan at least.

Otyugh from waaay back when

Wow. I had did these drawings back in college for the D&D campaign my room mate and I ran. I lost the originals but had them scanned into my old Mac IIci (the height of cool in the early nineties). I have not been able to open the files in years.

Fast forward to now and with my new iMac and Photoshop I have open these files for the first time in probably 10 years. I think these would be great projects for me to learn how to layer colors in photoshop.

Here is my version of a crazy otyugh. To be honest, not sure if this is a swipe, an amalgamation or just me. Looks pretty cool, tho'. Waddya think?

Iron Man and Spidey

When I asked my nephew which characters he wanted me to draw, he said, not surprisingly, Iron Man and Spiderman. I tried a slightly different approach than used on the Cap and Hulk pictures (done in water color pencils and ink, btw). Instead of laying the color down on the pencils and then inking, I inked it first. Thinking this is a big mistake.

Why did I do this? Well, I thought it would be too difficult to ink the Iron Man armor features. Will not be doing that again. Should just have more confidence in myself I guess.

Sketch of The Knight and the Barbarian

I found a whole host of old pencil sketches that I did back. . .well, when I was in my teens. I am not sure if I ever posted any of them but even still, I think some of them are cool.

And as you will quickly tell as I post these old pictures, this was a time in my life where I was not interested in doing any kind of background. Guess that is why I started painting in pastels to take on this challenge.

Captain America

Yes, I know. . .I should stop doing swipes and start doing real drawings. At this point, they are more mental exercises than anything else. Still, this was fun to do.

Hulk (after Byrne)

So, I wanted to try and do some comic book type art and play around with watercolor and ink. Who better to swipe than John Byrne?

Hmmm. . .can not seem to get the images in the proper progression, but you get the idea.

After a long hiatus. . .

It sure has been a long, long time since I posted anything here (I changed jobs, moved etc. . .) but wanted to put up a few things that I have worked on during my hiatus.

Unfortunately, I packed my pastels away (and they will be in storage for a while) but have been playing around with water color and ink. I will try to post a few of the experiements and some newer stuff as well.

Path Ends

Obviously, I have not been very productive in terms of painting. . .

::sigh::

Life does happen.

Here is something that I completed a few months back, in a much, much looser style than normal. I tried to take advantage of the durability of Ampersand's pastel board, it really stood up to a beating. . .and lots of color.

Enjoy!!

Untitled-Water Colors and Pastels

2 Year Anniversery

Wow. I have had this blog for two years now, my how the time flies. And while I do not post to the site all that regularly, I do have some plans to make a few more posts this summer. That is, if my travel schedule ever slows down.

Speaking of which, I just returnd from my first trip to Paris, France. So here is a picture that I did for a high school French class project. Yes, it is silly. But it was fun to hand in a piece of cartooning and call it eduction.

Apprécier !

Untitled (from Freshman Year French Class)
9x12, pen & ink with colored pencil on paper 

What are my artistic influences?

A question that I get often asked is, “What are my artistic influences?”

First and foremost is Frank Frazetta. I wish I had 10% of his talent. His work awes and humbles me. The man had a stroke a few years back, paralyzing his right hand (painting hand). So what does he do? He teaches himself how to paint with his left hand, never mind that by this point he is in his 60's (or 70's). The resulting work is still more amazing, real and creative than anything that I could ever do. Why I have not visited his museum is beyond me.

The other two painters would be Chris Achellios and Royo. I really want to paint the sci fi/fantasy type art like they do (see “Sword of Royo”, so named for Royo. . .obviously). I was not confident that I could paint figures in pastels with the necessary level of detail and I did not want to pencil and ink landscapes (yup, call me lazy) with that much detail either. So I developed a hybrid mixed medium method that actually worked out pretty good for me. As you can see, the pencil work is pretty simple, most of the details of the figure were done with the colored pencil (something that Johnie C showed me). Most of the pictures done in this style, unfortunately for me, was done before I had access to a scanner (well before the digital camera age), and since I gave them away, I no longer have access to them.

::sigh::

In terms of comic book art, the career path that I would forsake all other for, I am most heavily influenced by Michael Golden (whose style I aped in my early teens). I so wanted to be the next Michael Golden. Two others are John Byrne and Frank Miller. I never tried Miller's "Sin City" style, but his older work, like Ronin, really influenced my pencil work. I was so totally in to cross hatch because of that.

Now that I paint landscapes, I have researched the impressionists like Monet and Van Gogh (not saying I am in that stratesphere of artists, but I do try to learn from them). Still learning about color, so I think that my painting style will continue to evolve. Which is probably a good thing.

I am sure that there are others, but those are the biggest influences.

Sword of Royo
9x12, pastel with colored pencil and inks on bristol 

That's me with the hockey stick!

Found it!

Welcome to my grad school apartment, circ 1993. That is me with the hockey stick, Anthon-Z playing sega, Coney shooting hoops, Johnni C (the artist of this picture) and Stacy at the table drawing, with special guest appearances by Ax and Dale.

I must admit, Johnie was one of the most talented artists that I ever met. He could draw just like Shiro, imho. Too bad he was never able to break into comics. I think his manga like style was way ahead of the curve. It would be another year before Joe Mads broke that style wide open and became the regular artist of the X-men. But for me, Johnie C was the originator.

Man, I still wish I had some of the pages that he penciled and I inked. And Anthon-Z's pages for that matter. I will post the splash page that Anthon-Z penciled and I inked and colored very soon. It is the best comic book related work that I have ever done. No question.

Dragon Sun-the early years. 

One of my favorites

I just like this one (see "Frozen Bog" below). It is, for me, very difficult to make "dark" pastel paintings but with this painting I was able to achieve something I felt had a very "atmospheric" feeling to it. I was also able to give this piece a feeling of depth, something that I struggled mightily with for a time.

Again, this was painting around the same time as "Poppies". In fact, this, and all the others from that period that I will be posting in the next weeks, were all painted in the same spiral notebook. Now, I tape individual pieces of pastel paper onto an board and frame them when they are finished.

I believe that I have definitely grown as an artist in the last 10 years, but I have fond memories of this time when I began to relearn to paint. It was also a time when my apartment doubled as the hang out and official head quarters for for Dragon Sun Studios—Johnie C, Anthon-Z, Def Stacie, Coney and my boy Charlie "F'K'N" Ward (okay, he existed only as his EASports digital self, but he was always there). In truth, somebody was awake 24/7, either drawing something or playing Sega or Nintendo. Ah yes, those were the days.

Now I am going to have to find Johnie's "Mangaverse" version of my apartment.

Frozen Bog
9x12, pastel on paper 

Even more from the archives

Okay, I admit it. I have been a big slacker and have not been painting at all of late. But I do, have a host of paintings from my archives that I had previously been unwilling to post.

Why?

Well, I have signed my name to them and I had been clinging to my "anonymity" of my blogger name. But realistically, the only people who don't know my real name are the ones who did not care to take 10 seconds to figure it out.

With that said, here is a painting that I did over 10 years ago when I first began to "relearn" painting. In high school, I wanted to go to Art School instead of a 4 year college. When I decided to go to a 4 year college I more or less stopped painting and drawing. Can not really explain why, but I did. At some point in during graduate school I decided to start painting again. "Poppies" is one of the first painting that I did from that period. I did not know about workable fix or different grades of pastels. I just painted this all in one layer. I think it holds up well, all things considered.

So, since I know that even if I do start a painting in the next few days, I will not have anything to post for a few weeks. Therefore, I am going to start dipping into my archives and bring out some paintings from 10 years ago.

I hope you all enjoy.

Poppies
9x12, pastel on paper 

More from the Archives. . .

Because I really needed to post something but have had absolutely no time to do any actually drawing or painting. On top of my regular work, I agreed to write two review articles and try to rework my masters to something that is publishable. These are all things that I want to do, but they kinda cut into my free nights. Yeah, yeah, I know suck it up and stop complaining.

::sigh::

I like this picture of Rye. The pastel pigment from the top of his head was sort of rubbed off when the painting was stored in the pad. This painting was done before I knew what either workable fix or glassine paper was and how both can save the pastel pigment from rubbing off. If I still owned this, I would propbably hit it with workable fix and correct this problem.

Rye
9x12, pastel on paper
Many of my friends have asked me to paint pictures of their horse. Jess was the only one to actually provide a photo. To everyone else, I am still waiting. 

Vizzini. . .he said to go back to the beginning

And so I have. Instead of continuing to stare at the rough sketch of the polar bear, hoping to get up the courage to start using my watercolors (and new Niji waterbrushes) to finish the painting, I decided to try something else in the interim. And like Vizzini said, I have gone back to the begining and my roots. Sketching.

Usually I do tons and tons of cross-hatch (sometimes too much) but for this I wanted to do something a little more down and dirty with the shading. Something a bit more basic. So, I used my trusty ol' #2 pencil, and you just don't get more basic than that.

I do plan on finishing the polar. . .hopefully even soon.

Lucky Dog
9x12, pencil on bristol 

Ah yes, I remember it well. . .

Prom stole it from Paul's blog. Now I am stealing it from her.


"please post a comment here on my blog with a completely made up and fictional memory of you and me. Anything you want—positive or negative—but the original said please keep it clean but you don't have to do that here. And remember: it has to be fake! After you've left your comment, post this little paragraph on your own blog—and be surprised (or mortified) about what people don't actually remember about you."

As you wait for updates. . .another quiz

Your results:
You are Superman

Superman 75% Spider-Man 70% Green Lantern 60% The Flash 60% Supergirl 55% Robin 50% Iron Man 50% Hulk 50% Wonder Woman 35% Catwoman 35% Batman 30%

You are mild-mannered, good, strong and you love to help others.

Click here to take the "Which Superhero are you?" quiz...

Here is to hoping I am more productive

In an attempt to get my self motivated again to paint/draw, I have posted the initial sketch of a polar bear that I have wanted to paint for a while. For this, I want to try something a bit different. I am going to use watercolors, something that I am not very proficient in, and augment the painting with pastels, something that I am more comfortable using. It could be cool, as I have seen some nice pictures done in this technique. Or it could be a big mess, but at least I am attempting to stretch myself. And isn't that what this is all about?

Either way, I will post the picture in stages. . .let's see what happens.

Polar Bear
14x11, pencil on watercolor paper 

National De-Lurking Week

Because everyone else is doing it. . .and I have not started painting the picture that I have been meaning to. . . 

An older piece

In a effort to be more active on this blog, I have dug through some of my older work. I am really surprised that I have not posted this one before. This is the only painting that I have done on artagain, a thick black fiber-enhanced paper. The black paper gives this piece a neat and ominous air.

As always, this is something I should try/use more often.

Dragon
9x12, pastel on artagain 

Ah, the perverse irony of Happy Bunny

school prepares you for the real world which also
sucks.


Who's Your Happy Bunny?
brought to you by Quizilla

Song Bird in Blue

A bird. I have never attempted a pastel painting focused on a bird as the subject. A bit mundane, but yet, completely differnt for me. I have had some requests to paint birds, and realized that I had never painted one in pastels. So I needed to try something first. Sure, I have drawn many birds with charcoal, pencil and colored pencil, just never pastel. It was an interesting process.

Sorry for no pictures of the process (do you guys even enjoy that? Lemme know), just did not do it for this. Plus, this painting was fixed to a board for most of the painting process, making the process of taking pictures (or in this case, scanning) rather cumbersome. I did not even use workable fix to layers the colors. Instead, I used increasing more "softer" pastels to achieve the same effect.

Hope you like it. Enjoy!

Song Bird in Blue
9x12, pastel on paper 

And now for something completely different

Started a new painting last week and hope to have it finished in another week. It is a small one, 9x12", and so it is much easier to cover the paper. I really want to be more productive so I thought this size would be perfect. Plus, I like alternating the size of the paintings, it just seems more fun that way.

The reason I am not posting the painting in a step by step process is because the subject matter is much different than what I am accustomed to painting. I think that this is the first time that I have attempted this subject matter. No that the subject matter is anything original, but it is new to me.

Interest piqued? I hope so. Look for finished product in a week or so.

Now what?

Finished and uploaded.

What a relief. The picture I was starting to think I would never complete is done. And I must say, I am happy with the results. There were several times while I was working and reworking this that I thought it was going to be a larger orange mess. But that is the beauty of pastels. Just hit it with workable fix and repaint it.

I thought reposting the other pieces in the sequence would be a neat idea. Thanks P-man, I am glad you talked me into taking pictures during the painting process. Of course, now everybody knows how much of a slacker I was about finishing this one. . .but I guess that is okay.

Now, I need something else to paint. But what size and what subject?

And finally, the finished product!! Hope you like it!
Mountains of Fall
16x20, charcoal on Canson Mi-Teintes board

Beginning to put in the details 

Finished blocking the color 

Starting to block in the colors 

The sketch 

Finally Done. . .I think

Well, after a nearly 6 month delay, I have finally finished "Mountains of the Fall". . .I think. The truth is, I never really know when a painting is done and this is no different.

Do not worry, I will be posting a photo of it soon so you can decide. It may need more work, then again, it may be over-worked. Just not sure.

And of course, now I think the title will need to be changed. The painting has become more about the trees in the foreground and less about the mountains in the background. Sigh.

But it is done. I think.

Mountains of Fall

Now this took much longer to post than I had intended (or more precisely, I really have not worked on this in like forever). The progressing is coming along nicely, I just need to set some time aside to paint. I tried something a bit different and went right to work with the Unison pastels instead of the Rembrants. It turned out okay, but it just mearns that I will be using more workable-fix on the backend (which this piece desperately needs, if it ever is not raining and below freezing on the same day).

I really like how the deep purples folding into shadows, just the way I was hoping. I think with more details, this could turn out to be a very strong piece. Let's just keep our fingers crossed.